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Reeds United - December
 

The festive scene was set with the Christmas Elf (Little George) welcoming the partygoers as they entered the brightly decorated ballroom complete with an appetising buffet laid out. A little hefty furniture removal to get John’s piano on stage and the band was ready to start with ‘Algiers Strut’ And what a sound! A rock steady, driving rhythm and two clarinets weaving and swooping around each other made for an exiting atmosphere to begin the session. ‘Whinin’ Boy’ gave John a chance to air his vocal chords and then the frontline tone colour changed with lovely low register clarinet from John and George, now on soprano sax, in ‘I’ve Found a New Baby’

More soprano by George on Bechet’s ‘Passport to Paradise’with a tone to match the great man’s himself. ‘When I Grow Too Old to Dream’ started with a beautiful harmony   by clarinet and soprano sax and carried on to give us a series of instrumental swaps on the front line.

 
 
 
Jan Review - Frank Brooker
 
 
 
 
 
 

Tenor - alto, alto - soprano, clarinet - soprano again, punctuated by a bass solo from John Fellows, and ending with the two on alto saxes. A real quick change act where if you looked away to sip your drink they were playing different instruments when you looked back.

'I Can’t Get Started’ featured a very evocative 1930’s style from solo piano andvocal giving us a quieter moment of reflection. ‘Swing That Music’ played as Mrs Claus, well disguised except for Val’s give-away flashing earrings, came in to distribute crackers with the  help of the aforementioned Christmas Elf.

The hungry hoards were let loose on the buffet; and hungry they were! Charlie and Peter shot off to forage for extra food, returning to find a perfectly balanced clarinet duet in progress with the band into a bouncy ‘Coffee Grinder’. Back to the origins of jazz with a piano introduction to ‘Thought I Heard Buddy Bolden Say’ which had George (elf) finger dancing in the corner.

 
 
by Peter Farrall
photos by Val Wood
 

A dazzling display of banjo technique came via Geoff’s version of ‘Oriental Strut’ and, after ‘Happy Birthday’to Jan, a wonderfully controlled two clarinet version of ‘Creole Love Call’. Surely here are twoof the most skilled reedsmen in the business.

The seasonal bits came with ‘White Christmas’ complete with bowed bass and vocal plus clarinet/soprano duets from John and George whilst GeorgeElf conducted the audience sing along. ‘Rudolph the Red Nosed Reindeer’ flowed seamlessly into ‘Jingle Bells’ which had Mrs Claus dancing with Elf to such abandon that one of his pointed ears fell off - great party stuff!

We carried on until eleven o’clock to the frantic reeds duets and drum solo of ‘Farewell Blues’ and down to earth on a moving rendition of ‘Silent Night’ as a goodnight and happy Christmas from the band.

What a wonderful finale to a year of first class jazz and entertainment at the club.

 
 
Nov Review - The Famous Five